Some pictures from the 60's

Greg Lenz Don Schnering in BW

The Livin' End Pink Poster

This is the second poster for the Livin' End.  The pictures are:

keyboardist/vocals Karl Wallin

bassist Don Schnering, drummer/vocals John Schmidt, rythm guitar/vocals Greg Lenz, 

lead guitar/vocals Greg Koelker

The poster was designed by Don's mom, Lil.  When I complained about my picture, Don's dad said a line that I use all the time when taking pictures of people, "You can't help subject failure."

The Livin' End's first poster pictures.

Here are the pictures on our first Livin' End poster taken at Stonefield by Dave Eckstein, guitarist with The Ruins sometime in the late 1960's.

Left to right are: Don Schnering, Greg Koelker, John Schmidt, Greg Lenz

The last picture of my muscle car - the Rambler.

Some of you may remember my Rambler.  It was a '67 Rogue with a 343 cu. in. engine with an Iskenderian Cam, Offenhauser heads and headers, 411 rear end, 4 on the floor, and a granny interior until I purchased an interior from the insurance company that came out of a Pontiac Lemans wrecked by Kenny Schauf.  I lost control up in Muddy Hollow one evening when I hit a mud slide and rolled over three times.  Of course Kim Klauer was with me.  We had been doing our best to keep Wisconsin's average consumption of Milwaukee's favorite product and decided to drive up to Bagley to find some "action" such as it was.  I believe we outran the state park police when we hit 130.  I know we took Melcher's corner with our back tires over the edge.  I had actually slowed down when the accident occured.  Duh.  Fortunately Kim only got a few cuts on his arm and we both got bumped around.  It could have been worse.  Kim added this: "If you remember, I was taken to see Doc David by my brother-in-law. Doc said that he could stitch up the cuts but if he didn't it would leave a scar and help remind me to be more careful for the rest of my life. It worked....got to respect ol' Doc David. Kim" 
The engine ended up in a pickup/tow truck down in Dickeyville.

I think Phil Bernhardt took this picture for the paper.  You can see their old Mercedes in the background.

He blames me. I blame Ed Sullivan.

By Greg Koelker FIRST POST July 3, 2013

He blames me.  I blame Ed Sullivan.

1964 was, like all years – especially in the 60's – an interesting year; Cassius Clay became Muhammed Ali, defeated Sonny Liston for the heavy weight championship and got married, the Nation of Islam made threats against among others Malcolm X, Dr. Marting Luther King, Jr. was awarded the Nobel Peace Prize, China got the bomb, George W. Bush went to Yale, Dr. Strangelove, Mary Poppins, My Fair Lady, and Goldfinger were in the theaters, Ronald Reagan starred in The Killers  and then made a speech at the Republican convention, Kellogg's introduced the Pop Tart, Star Trek's first pilot episode was released, the winter olympics were in Innsbruk, Austria and the summer games were in Tokyo, Ford introduced the Mustang, President Johnson signed the Civil Rights Act, the Gulf of Tonkin Incident occurred, the Warren Report was released, and in May, The Rolling Stones released their debut album, The Rolling Stones. I didn't listen to it or even know about them - yet.

In February of 1964, I was 11. 

Everybody who really mattered to my middle school aged mind was 11 or maybe 12, was one of my buddies, or one of the girls in my class that I had a crush on.  I was great friends with Jimmy Bryan.  His folks, Richard and Irene, were my folks, Bud and Joyce's best friends.  Every few weeks we either went to Lancaster or they came to Cassville for dinner and cards.  The folks would play cards and the kids would hang out, play games, rough house, listen to music and tell stories.  I think the first joke I ever heard that I remembered was one told by Jimmy.  It was the one about the ghost with the two white eyes who kept bugging this kid in the night whispering, “I am the ghost with the two white eyes,” until the kid said, “If you don't quit bugging me, you are going to be the ghost with the two black eyes!”  I know, but I thought it was funny at the time.  (I got more interested in Jimmy's sister Rosemary later on, but that never happened.)

Jimmy's dad worked for Fennimore Roller Mills, delivering feed and whatever it is that roller mills do, while his mom was an LPN at the local hospital. In 1964,  my mom was a stay-at-home mom. My dad was an artificial inseminator for Tri-State Breeders, the source for endless jokes about my genealogical heritage.  I remember that year in science class, Norb Krause, our principal and teacher, asked the question what do you call the bodily fluid that is secreted by male animals to fertilize the female's egg.  Touchy enough stuff at the time, but then he singles me out and says, “Koelker, you know this.”  My middle school brain was in high excitement gear already and then I am supposed to know something?  He was right of course; after embarrassing me totally, he shared the answer: semen.  Of course I heard that word all the time around my house, my dad, and my mom when talking business.  That was my dad's stock and trade at the time.  Duh.   

Anyway, on Sunday, February 9, 1964, the Bryans came to visit.  After dinner everyone, including the  “old folks” gathered in the living room.  I remember Dad saying, “I gotta see this,” as he turned on the our black and white console TV.  I remember Jimmy and I on our bellies, heads on hands as the orchestra struck up a fanfare, the curtains opened from the center rising up in an arc, and the announcer said, “Good Everyone, live from New York, The Ed Sullivan Show, and now, here he is, Ed Sullivan!”

Ed, dressed in dark suit, swaggered onto the stage nodding and saying “Thank you.”  He began with, something about a telegram from Elvis and Colonel Tom Parker wishing them well.  They broke for commercial! 

When Ed came back, he said, “Now yesterday and today our studio has been jammed with newspapermen and hundreds of photographers from all over the nation and these veterans agree with me that the city never's witnessed the excitement stirred by these youngsters from Liverpool, who call themselves The Beatles. Now tonight you are gonna twice be entertained by them, right now and again in the second half of our show.  Ladies and Gentlemen, here they are, The Beatles!”  The girls screamed and bounced up and down in their seats. 

After a while, I heard Richard say to my dad, “What a bunch of shit.”  Dad, grunted and agreed and I think they went back to the kitchen.  I remember it like it was yesterday.  I was immediately enraptured as the strummed and sang “All My Loving” followed by “Till There Was You.  The director superimposed their names, including “Sorry Girls, He's Married:” under John's name.  They bowed in unison and then counting down and playing “She Loves You.”  The middle of the show was lost to me, but in the second half they played, “I Want to Hold Your Hand.”  Ed came out and shook their hands and the girls went nuts!  He said, “Alright, let's hear it. Come on let's hear it.”  The boys left the stage and Ed introduced a Pillsbury commercial.  Oh my god.  I could hardly sleep that night. 

The next day, all of my friends were talking about The Beatles.  I told Greg Lenz that we should start a band.  I really did love the music and the look and the guitars, but really, like so many other musicians, I wanted to get into to impress girls.

The problem at the time was that none of us knew anything about playing guitar.  I could sort of play the trumpet, my dad's instrument in high school.  I didn't really care for it much.  (Later I would take great pride in it, but not them.)  I started bugging my folks to let me get a guitar.  They finally gave in and allowed me to spend $63 for an electric guitar and amplifier in the Eddy Phillips catalog.  It took six years to come.  In the mean time, we all started to listen to the Beatles' albums and the radio and to try and dress more like them. We had plenty of time to study the music; it took six weeks for my guitar to come.

 The day my shiny new electric guitar finally was delivered, a bunch of my friend gathered in my living room to watch the unveiling, touch the chrome and strum the strings.  The only thing was the guitar was defective. 

According to a website entitled: The Cassville Story, this heart of rock and roll started out a long time ago. 

“One of the oldest towns in the state of Wisconsin is a charming little village nestled between imposing 300' high bluffs on one side and the mighty Mississippi
River on the other. Cassville is the southern most Wisconsin community located directly on the banks of the river.

First recorded mention of the present site of Cassville was made by Henry Schoolcraft in 1820.. But it wasn't until 1827 that signs of a real settlement appeared when John York Sawyer built a smelting furnace and the first real house was built.

Wisconsin was initially governed by the Northwest Ordinance of 1787 and subsequently as part of the Indiana, Illinois and Michigan Territories. Cassville took its name from Lewis B. Cass, at one time governor of the Michigan Territory. In 1836, after surrounding territories broke away to become states, it became the new Wisconsin Territory and included all of present day Iowa, Minnesota and eastern Dakotas.

This brought great expectation to the area, and Cassville in particular which was seen as the perfect choice for becoming the territorial capital because it was rather central to the population centers. And, most importantly, because of its commercial position as a port of entry on the busy Mississippi River. Col. William S. Hamilton, son of Alexander Hamilton, promoted the idea.

Seizing the opportunity, a company called Daniels and Denniston Company was formed between several Albany and New York speculators who moved quickly to begin erection of the Denniston House designed to house the legislators and state officials to-be. Including the basement, the mammoth building stood five stories high with the top floor being the ballroom and a band shell decorating the roof. The following articles appeared in the Albany, NY Daily Advertiser of 30 April 1836:

The Subscriber is desirous of engaging a number of Stone masons to proceed to the Wisconsin Territory, to be employed five or six months in the erection of buildings, to who liberal wages will be given. Apply to John C. Ward, Hudson St. between Hallenbake and Eagle St.s. J. C. Ward AP 30.

A splendid Hotel is about to be erected at CASSVILLE, Wisconsin Territory, on the east bank of the Mississippi, about forty miles below the mouth of the Wisconsin River. Cassville is to be the seat of government for the new territory. A cops of artificers are about proceeding from this city to erect the Hotel.

At a cost of $30,000, the "Big Brick", as it was proudly called, was built of solid brick on a limestone foundation by bricklayers imported from New York who used the sturdy Flemish bond method of laying brick. That distinguishing characteristic is still visible on the building that is now on the state registry of historic places.

But by the end of that year, it became evident the company's plans for the town were never to be realized. At the first territorial convention held at Belmont, a wealthy Madison landowner named Doty overshadowed other bids with a generous gift of land there (even though it was unknown, unsurveyed and without a house on it). Cassville lost out by one vote.

It became further absorbed in the financial panic of 1837, and a sense of doom seemed to settle over the area. It took several years to shake off the perception, but by 1843 there was a noticeable change for the better.

Into this picture must come the name of Nelson Dewey. Born in Lebanon, Conn. in 1813, he attended Hamilton Academy in Hamilton, N. Y., "read" the law, as they said, with a Samuel Bowen in Cooperstown, and also studied with his lawyer father.

But in 1836 he set out on his own and chose to come to Cassville, perhaps influenced by glowing articles about the town in the Albany newspaper. He took a job with the new Daniels and Denniston company as clerk and very quickly became involved in the political affairs of the area. When Grant County was formed he was elected its first Register of Deeds, earned his law degree and served in the territorial legislature.

When Wisconsin was granted statehood in 1848, Nelson Dewey was elected its first Governor. He served two successive terms, and during that time married Catherine Dunn, daughter of Charles Dunn, first chief justice of the territory.

She had high hopes he would go on into national politics, but he was determined to return to Cassville and revive what he had seen as great potential when he first arrived there.

Because of the failed Denniston project the town lay under litigation, making it impossible to secure titles to town lots. With customary energy Dewey proceeded to buy up the entire development, made order out of confusion of land titles and soon attracted scores of settlers.

Between 1855 and 1856 the population grew from 142 to 421 and to 600 by 1858. Dewey invested $15,000 in the Denniston House and converted it into a hotel. The town now had three hotels, three saloons, three blacksmith shops, one wagon shop, two cooper shops, two shoe stores, two tailor shops, one hardware store, one cabinet shop and several carpenter and joiner shops.

A levee was built at a cost of $6000 and soon there were three large warehouses and three mercantile firms doing an annual business of $200,000. There was a smelting furnace, a steam sawmill cutting at the rate of 10,000 feet per day, a brewery and 50 other buildings. A Catholic church was erected and religious services for other denominations were held in private homes.

Cassville was on its way!

Dewey, meanwhile moved his family about the county, continuing his law practice and serving in various governmental capacities on state as well as local levels until he was able to acquire 2000 acres of land just outside of the village of Cassville for his dream farm which he named Stonefield. It extended from the edge of the Mississippi River up over the bluffs and contained cropland, orchards, a vineyard, cattle and imported horses.

By 1868 he completed a beautiful neo-gothic style mansion which one newspaper called a "palace in the wilderness." But Mrs. Dewey did not relish this rural atmosphere, so when daughter Kate was ready for college she moved to Madison with her and never returned to Cassville

Tragedy struck in 1873 on a snowy day in January when a terrible fire swept through the house. Another financial panic that same year forced him into bankruptcy, and he was never able to recover his losses. He died a pauper in 1889 in the Denniston House, the venture that first brought him to Cassville.

The house stood in ruins until Walter Cass Newberry of Chicago acquired the property and undertook necessary restorations. Using the foundation and standing walls of the house, he had it reconstructed but eliminated a third floor and the Gothic styling of the original building, which is how it is seen today.

In 1936, through efforts of Cassville and Grant County, the state of Wisconsin purchased 800 acres of Dewey's original estate plus the buildings, and dedicated it as a state park. The site was also designated as the location for the State Agricultural Museum, and the State Historical Society of Wisconsin added a recreated turn-of-the century village which it named Stonefield.

Cassville, meanwhile, continued a steady growth, and the Mississippi River played a big part in many successful ventures. Ferry service was established as early as 1836 and remained important not only to passenger trade, but later on as a means of transporting produce from the fertile Iowa bottom lands to the Klindt and Geiger Canning Company built in Cassville in 1893. The company canned tomatoes, sauerkraut, pickles and peas and for many years was the largest corn canning plant in Wisconsin.

Early ferries were powered by horses working on a treadmill, but they were replaced by gasoline engines about 1913.

Commercial fishing and ice harvesting were important business ventures provided by the river. Pearling was another river industry which operated in Cassville from 1890 to 1920. One pearl found during that period reportedly sold for $1500, but most brought only a few hundred dollars. Clam shells were also harvested, bringing $6 to $8 a ton and were sold to button factories in Cassville and Guttenberg, IA.

Modern day clammers still ply their trade in this part of the river but sell to Japan oyster farmers who implant bits of shell in the oysters to initiate pearl development.

But nothing quite so exciting as the entertainment brought to the community via the river, notably the Floating Palace Theater which visited towns along the river once a year and became the social outing of the season. Excursion boats that came to port offered more social diversion, providing cruises of varying lengths along with music for dancing and entertainment.

An old mooring ring in Riverside Park, once used by deckhands for tying riverboats to the shore, still displays its legacy there to the interested visitor.

River commerce declined, however, as railroads took over more and more transportation business. A single track railroad was laid through Cassville in 1885 by the Chicago, Burlington and Quincy Railroad (now the Burlington Northern) and double track was laid in 1913. The Cassville depot was a busy facility throughout the first half of the century but was closed when passenger service was eliminated. However, rail traffic through town continues at a heavy pace with over 25 trains a day at times.

Like most other small towns, Cassville weathered World War I, the Great Depression and World War II with each era changing the face of the community in various ways.

Most drastic, perhaps, were the changes brought on by use of the automobile that allowed people to travel to larger cities, shop at larger stores, find better employment and enjoy a wider variety of activities and entertainment. During the last 50 to 60 years, Cassville leaders worked hard to accommodate those changes and adapt to different needs while still maintaining an environment for a healthy economy and attractive living conditions.

One person who should not go unmentioned is R. J. "Penny" Eckstein who served on the village board for 50 years, most of that time as village president. Through his urging, Wisconsin was one of the early proponents of the Great River Road idea, and he was on the ten state planning commission for many years, eventually being elected to the office of Pilot.

Although the designated route went to the Iowa side in this stretch of the river, Cassville eventually was included in the secondary spur line of the Wisconsin Great River Road and continues to have representation on the Mississippi Parkway Commission.

Eckstein also worked tirelessly to attract two electric power plants to Cassville. First, the Dairyland Power Coop Company, now Mid-American Power LLC and then Wisconsin Power & Light Company. Taxes from the two utilities made Cassville an almost tax-free community until state law changed to give utility tax money to the state for redistribution. Nevertheless, it spurred a risk taking attitude that led to street development, installation of curb and gutters, construction of an airport, modern school buildings and a host of other village improvements.

Despite the changes more than 160 years have brought to the town, Col. Hamilton would still be able to say that one could find here "everything necessary for the promotion of man's comfort and the exercise of his energies; where nature has done all in her power to make it one of the most delightful spots in the upper Midwest."

Help!

Hello friends,

I am beginning this blog as a meeting point to start a book about the many, many rock musicians  from the Cassville, WI area who played in bands in the 60's and 70's and beyond and I'd like to get as much from you as soon as possible. We have lost some members of our groups already, so . . .  I am Greg Koelker, and I played with the likes of Don Schnering, Greg Lenz, Roy Mosely, John Schmidt, Kim Klauer, Rob Ploesl, Mike Shier, Karl Wallin, Jim Placko, John Lau, Jeff Glass, Mitch Hochausen, Steve Bernhardt, Dave Eckstein, Larry Bernhardt, and Kirb Toberman.  These guys and many, many others played in bands like the ones I played in, The Livin' End, Before and After, The Mississippi Mud Band, GMC, The Mark IV, Buffalo County, Just Friends, and Shake Rattle and Roll.  I remember The Ruins, Muddy Hollow Band, The Bamboo Steamers, and Arrow Carpet Service.  I know there are more like how much did you make doing this, what did instruments cost, other?  Gas?  Hotels?  Camping?  Nicknames - I hated mine.  Fun outside of music. There were great venues and places to practice like the sand bar and the Sand Bar, the Youth and Ag Building, Kite's, Tino's, the slaughterhouse, Twinorama, and so on.  Hangouts like Timmerman’s DX/Sunoco, Kite’s, Eckstein’s, etc. What I hope to hear from people about are the stories of how you came to play the guitar or drums or organ or bass, how you got a band going, how much fun or hard work or trouble you had with it, what inspired you.  If you are a parent or remember what your parents did or said regarding your music career, that would be great.  PICTURES are a must.  I know there are some out there, probably in a box somewhere in black and white, band posters or photos or them would be great.  Perhaps you were a sibling or significant other or a teacher even.  This is your opportunity to help make something important remembering a great time in our lives.  What were your influences, bands, songs, cars, clothes, girls, hangouts, things to do, places to hang out, food and drink, etc.  All good.  Even what became of you is good. 

Now, how do you start?  Well, anyplace you want.  I started with how I first knew I needed to be in a band, the Beatles on the Ed Sullivan Show in February 1964.  How I got my first guitar, and started my first band and who it with and what songs first learned what our first gig was.  I also started adding some Cassville history and history of the times.

Here are some ideas of where to start and where to go:

Stories are important!  Help us learn something about and from your stories.

Make it real – little details and conversations, jokes, happenings help with this.  Have a beginning middle and ending.  Drama, suspense, conflict are all good.  The little scenes, little stories that are pieced together to tell a larger story are like building blocks.  What did the characters and place look like, smell like, the weather, etc. Intimate details, stuff others wouldn’t easily imagine. You could interview people who were around you and your band and such.  Try to describe with specifics. Dialogue is good.  What was said by whom. great quotes maybe.  Try to make what you put down as natural as possible. Think how you would tell it to the guys over beer at The Town Pump for example. Got a song you wrote?  Share it with chords and lyrics.  Got a song or songs that were influential or have special meanings.  For example, every time I hear “Color My World” by Chicago, I think of dancing with my girlfriend at the high school gym.  Think like TV, a scene, characters, dialogue, action, your inner point of view.  What were you thinking?

Resolution, Q and A is good

Ask questions of yourself and others who were around that will lead into stories, I remember … so far, everyone I’ve talked has had three or more stories to share and laugh about.  People are really positive about this idea.

Each storie /scene should have a beginning and an end

A story could be a day in the life of a rocker – you, or an electrical engineer that turns into Buddy Holly on Saturday night.  Feel free to jump around in time

Chronologic is okay but . . . think  of Forrest Gump and how that story moved about and all those little stories turned into a big one.

Here are some possible questions to ask yourself or others:

How did I get started in R and R?

Who did I get into it with?

What did you play?

Where did you play?

What kind of instruments did you have?

What did your family think of it?

How did R and R affect school, sports, jobs, love life, etc.

Cars you drove? Band vans – we had Greg’s Cadillac pulling the PBR trailer.

Parties?  Mishaps? Best or worst performance ever? Best concert you ever saw –why?

What was the first tune(s) you learned?
Is your family musical?
Describe your family member's musical interests and abilities.
Which famous musicians do you admire? Why?
Which famous musicians have you learned from?
Who was your first teacher?  Other teachers?
Describe your first instrument. Other instruments.
What are your fondest musical memories? In your house? In your neighborhood or town?
Were you influenced by old records & tapes? Which ones?
Who are your favorite musicians? Groups? CD's?
Have you been in competitions?
Do you perform in public? Describe those occasions? Concerts, radio, TV?
Did you play for dances?
How do you handle mistakes during a performance?
Do you get nervous before a performance or a competition?
What advice would you give to beginners who are nervous?
Do you attend sessions? What makes a good session?
How often and for how long do you practice?  Where did you practice? Describe it?
What do you practice - exercises, new tunes, hard tunes, etc.?
Do you teach music?
How do/did you balance your music with other obligations - mate, children, job?
The specific music questions and topics above are in addition to the standard name, address, age, places lived, and other family and career data that you might obtain for completeness of documenting an individual.

I stole many of these questions,  but most of them should help generate some story or memory I think. 

Good Luck and get started.  Hail, Hail Rock and Roll!

My email address is: koelker@mwt.net but send scanned or digital pictures to: koelker.photography@gmail.com,  my phone is 608-457-2273, and my address is: N2436 Proksch Coulee Road, Stoddard, WI 54658.